WAVES LinMB Linear Phase MultiBand Software Audio Processor Jagorar Mai Amfani

Waves – Tsarin MultiBand na layin layi
Software Audio Processor
Jagorar masu amfani

Babi na 1 – Gabatarwa

Gabatar da Waves Linear-Phase MultiBand Processor.
LinMB shine ingantaccen sigar C4 MultiBand Parametric Processor. Idan kun saba da C4 za ku sami Linear Phase MultiBand mai kama da juna, yana ƙara wasu ƙididdigewa da fasaha na gaskiya waɗanda ke ba da sakamako mafi kyau da inganci.

LinMB yana da

• 5 maɗaukaki masu hankali kowanne tare da nasa riba da kuzari don daidaitawa, matsawa, fadadawa ko iyakance kowace ƙungiya daban.
• Matsakaicin matakin layi na layi yana ba da damar bayyana gaskiya lokacin da tsaga yana aiki amma mara amfani. Sakamakon kawai shine tsattsauran jinkiri ba tare da wani launi ba.
• LinMB sanye take da zaɓuɓɓukan kayan shafa ta atomatik da samun Gyara.
• Dabi'ar ƙofa mai daidaitawa yana samun mafi inganci da ingantaccen sarrafa ƙarfin ƙarfin multiband.
•  LinMB yana da yanayin gani na C4 wanda ya lashe kyautar tare da nunin Waves' na musamman na DynamicLine™ yana nuna ainihin canjin riba azaman nunin jadawali na EQ.

Waves sun ƙirƙiri LinMB don amsa mafi yawan buƙatu da buƙatu yayin Kore kowane sauti da nau'in kiɗa.
Yayin da tarin Waves Masters an mayar da hankali ne don samar da kayan aiki masu inganci don Mastering, akwai aikace-aikace da yawa waɗanda zai iya zama da amfani sosai watau sarrafa murya, sarrafa watsawa, rage amo, Track Strip.
LinMB yana da ƙayyadadden adadin jinkiri ko tsayayyen latency na kusan 70ms (3072 s)amp44.1-48 kHz). Saboda tsananin ƙididdigewa da ake buƙata don tsaka-tsakin layin layi, babban nasara ne samun wannan aikin a ainihin lokacin a cikin TDM da na ɗan ƙasa.
An yi ƙoƙari da yawa don haɓaka aikin musamman na CPU ta amfani da na'urori masu sarrafawa na Co kamar Altivec akan MAC da SIMD akan nau'ikan na'urori na x86.
Sarrafa mafi girma sampƘididdiga kamar 96kHz tabbas zai buƙaci ƙarin CPU fiye da 48kHz.

MULTIBAND DYNAMICS
A cikin MultiBand Dynamics aiki muna raba siginar mai fadi zuwa maƙamai masu mahimmanci. Ana aika kowace ƙungiya zuwa na'ura mai sarrafa ƙarfin kuzarin da aka keɓe don amfani da daidaitaccen riba mai ƙarfi da ake so ko ribar tsaye. Rarraba siginar yana da manyan sakamako da yawa kamar haka:

• Yana kawar da Modules tsakanin makada.
• Yana kawar da ribar hawa tsakanin maɓallan mitoci daban-daban.
• Yana ba da damar saita harin kowane ƙungiya, lokutan sakin da aka daidaita zuwa mitoci a waccan rukunin.
• Yana ba da damar saita ayyuka daban-daban (matsi, Faɗawa, EQ) kowace ƙungiya.

Don misaliample, yana yiwuwa a damfara ƙananan mitoci tare da ƙimar sakin hari mai tsayi, a lokaci guda kuma faɗaɗa tsakiyar kewayon tare da gajarta, DeEss hi-mids tare da hari mai sauri da saki da haɓaka mitoci na super hi ba tare da wani kuzari ba.
Na'urorin MultiBand suna da amfani musamman lokacin da ake mu'amala da haɓakar cikakken haɗin kewayon. A cikin ƙungiyar mawaƙa ta kade-kade da kuma a cikin ƙungiyar Rock n Roll na'urori daban-daban sun mamaye kewayon mitoci daban-daban. Sau da yawa ƙananan kewayo yana mamaye dukkan martani mai ƙarfi yayin da mafi girman mitoci ke hawa saman. Duk da yake aikin mahaɗa ko mawaƙi ne don isa ga daidaiton da ake so, ƙwararrun injiniyoyi sukan ga suna buƙatar yin wani abu game da haɓakar tushen gauraye. Yana iya zama don ƙara haɓakawa ko haɓaka ingancinsa, ko wataƙila kawai sanya shi ƙara kamar yadda zai yiwu don matakin gasa, tare da ƙarancin ƙasƙanci gwargwadon yiwuwar.

LISKIYA PHASE XOVERS
Lokacin da LinMB ke aiki amma ba shi da aiki, yana gabatar da ƙayyadadden adadin jinkiri.
Fitowar tana da tsaftar 24bit kuma gaskiya ga tushen.
Lokacin da muka yi amfani da Xovers don raba sigina muna son tunanin cewa suna raba siginar shigarwa zuwa makada suna barin duk abin da ba a taɓa shi ba. Gaskiyar ita ce, duk wani analog na al'ada ko dijital Xover yana gabatar da adadin canjin lokaci ko jinkirta zuwa mitoci daban-daban. Ƙarin canje-canjen riba mai ƙarfi zai haifar da ƙarin gyare-gyare na canjin lokaci wanda Xovers ya gabatar. An yi maganin wannan al'amari a cikin lokacin C4 da aka biya Xovers amma canjin lokaci na farko da Xovers ya haifar har yanzu yana bayyana a cikin C4 kuma a cikin fitowar sa duk mitoci daidai suke da tushen a ciki. Amplitude amma ba a cikin Phase.
Lokacin da yake da mahimmanci don cimma daidaitattun tushen tushe gwargwadon yiwuwa LinMB yana tafiya mai nisa kuma ya raba siginar zuwa maƙallan 5 suna kiyaye tsaftataccen wurin farawa na 24bit don amfani da sarrafa kuzari daban-daban ga kowane makada.
Masu wucewa su ne manyan abubuwan sonic waɗanda ke amfana daga Tsarin layi.
Masu wucewa suna ƙunshe da mitoci da yawa, kuma suna da “Localized” sosai cikin lokaci. Tacewar lokaci marar layi wanda ke canza lokaci daban don mitoci daban-daban zai "shafa" mai wucewa na tsawon lokaci mai tsawo. Matsayin Linear EQ zai wuce masu wucewa suna kiyaye cikakken kaifi.

MATSALOLIN ARZIKI DA DE-MASKING
Lokacin da taushin sauti da ƙarar ƙara suka faru a lokaci guda, ƙarar sautin yana da ɗan tasirin rufe fuska akan mafi taushin sautin. Binciken Masking, ya bayyana abin rufe fuska na sama, inda ƙananan ƙananan sautunan ƙararraki ke rufe mafi girman sautunan mita. Layin MultiBand na Linear yana ba da hanya don kowane ƙungiya don kula da makamashi a cikin rukunin "Masker". Lokacin da kuzarin da ke cikin ƙungiyar Masker ya yi girma bakin band ɗin zai tashi don gabatar da ƙarancin attenuation da rama abin rufe fuska, barin sautin a kowane rukunin ya fito da ƙarfi kuma a sarari yadda zai yiwu. MultiBand na Linear shine na'ura ta farko da ta gabatar da wannan dabi'ar kawar da abin rufe fuska, wacce zaku iya karantawa
ƙari a Babi na 3 na wannan jagorar.

Babi na 2 - Aiki na Asali.
KURUNIYAN SAMUN TSIRAR GUDA UKU NA TASKAR TSAYE -
MATAKIYAR CIN KATSINA -

Ana saita mitoci 4 Xover kai tsaye a ƙarƙashin jadawali ta hanyar ɗaukar alamar su ko ta amfani da maɓallin rubutu. Waɗannan sun ayyana mitoci masu yankewa waɗanda za a raba siginar WideBand zuwa maƙalai 5 masu hankali.

SAMUN ƊAN ƊIN KAI-

Kowane rukunin Waves LINMB yana da saitunan daidaitawa 5 masu daidaitawa.
Ƙofar, Riba, Range, hari, Saki, Solo da Kewaya. Wadannan suna aiki makamancin haka a cikin mafi yawan na'urori masu sarrafa kuzari amma a cikin wannan masarrafar suna shafar tasirin daya daga cikin band din guda 5. Range na iya zama kamar wanda ba a sani ba kuma a zahiri yana cikin wurin sanannen Ratio, amma yana bayyana duka ƙarfin daidaitawar riba da iyakar daidaitawar riba. Kara karantawa A babi na gaba.

SAMUN SASIRI NA DUNIYA -

A cikin Sashen Duniya zaka iya nemo masarrafan sarrafawa, waɗanda ke da ƙungiyoyin sarrafawa don matsar da duk sarrafa bandeji lokaci guda.

Sauran ma'amala tare da kayan sarrafawa gabaɗaya - Gain, Gyara da Dither.
Ikon kayan shafa yana ba da damar zaɓi tsakanin yanayin hannu da kayan shafa ta atomatik.
A ƙarshe akwai sarrafa ɗabi'a na matsawa gabaɗaya guda 4 - Daidaitawa (An yi ƙarin bayani a babi na gaba), Saki - Zaɓi tsakanin Waves ARC - Ikon Sakin atomatik zuwa saitin sakin hannu da hannu. Hali - Yanayin Opto ko Electro yana shafar yanayin sakin. Knee - taushi ko wuya gwiwa ko kowace ƙima a tsakanin.

SAURAN FARA
Don farawa, Waves suna ba da zaɓi na saitattun masana'anta. Waɗannan galibi suna iya zama kyakkyawan wuraren farawa don amfani da MultiBand Dynamics. Da yake wannan ba na'ura mai sarrafa tasiri bane ainihin saitunan dole ne su kasance masu dogaro da shirye-shirye kuma yawancin injiniyoyin injiniyoyi za su gwammace su saita na'urar da hannu kuma ba su dogara da saitunan da aka shirya ba. Matsalolin sarrafawa da saitattun saiti suna ba da kyakkyawan ƙima na Attack Constant Attack, Saki dangane da Tsawon Wavelength ɗin su na samar da saituna a hankali don ƙananan maɗaura da ƙimar sauri zuwa mafi girma. An saita wasu sarrafawa a cikin saitattun don samar da wasu nunin yuwuwar hanyoyi da haɗuwa daban-daban.

• Fara kashe ta amfani da na'urorin sarrafawa.
• Kunna Kiɗa ta hanyar.
• Don matsi na MultiBand gabaɗaya da farko saita Range a cikin duk makada zuwa -6dB ta hanyar jan ikon sarrafa kewayon Jagora zuwa ƙasa. Wannan zai tabbatar da cewa daidaitawar riba zai zama Attenuation ko matsawa kuma mafi girman ƙaddamarwa ba zai wuce raguwar 6dB ba.
• Yanzu saita madaidaicin madaidaicin kowane rukunin rukunin. Yi amfani da ƙarfin kololuwa a cikin kowace ƙungiya don saita ƙima na ƙima zuwa ƙimar kololuwa.
• Yanzu zaku iya ja ƙasa da babban matakin don saita matsawa gabaɗaya. Kuna iya zaɓar shigar da kayan shafa ta atomatik bayan saita madaidaicin ƙofofin kuma ta wannan hanyar ƙarin magudin kofa zai adana ƙarar dangi kuma zaku ji matsawa maimakon canjin ƙara.
• Daidaita ribar kowace ƙungiya don gamsarwa ko cancanta tare da ra'ayinku na Daidaita "lalata".
• Kunna gabaɗayan shirin, ko aƙalla mafi ƙarar wurare kuma danna maɓallin Gyara don gyara abin da ake fitarwa na duniya ya sayi Margin zuwa cikakken sikelin.

Lura cewa wannan Saurin Farawa na yau da kullun ba shine girke-girke na Zinare don ƙware tare da MultiBand Linear ba, duk da haka yana ba da nau'in nau'in nau'in nau'in nau'in nau'in nau'in nau'in nau'in nau'in nau'in nau'in nau'in nau'in nau'in nau'in nau'in nau'in nau'in nau’in nau'in nau'in nau'in nau'in nau'in nau'in nau'in nau'in halitta wanda yakamata ya bar masu amfani sababbi zuwa MultiBand su bi tsarin aikin da aka ba da shawarar. Wannan example kawai yana zazzage saman yuwuwar tare da MultiBand na Linear kuma akwai ƙarin abubuwan ci gaba na zaɓi waɗanda zasu iya yin tasiri akan hanyar gudanawar aiki. Karanta a cikin wannan jagorar don koyo game da wasu abubuwan ci gaba na musamman.
Gabaɗaya yana da mahimmanci a tuna cewa yayin da ake amfani da tsari don raba madaɗaɗɗen mitar mitar, yana shafar sautin WideBand duka. Solo kowane bandeji da amfani da matsawa a cikin solo sannan kuma sauraron gabaɗaya na iya zama rashin lada a matsayin tafiyar aiki.
Za a iya amfani da Masu Nazari na Mitar don samun ra'ayi na gani don ingantawa ko bayyana abin da kuke ji amma mafi mahimmancin shi don amfani da kunnuwa da aiki a cikin yanayi mai kyau na sauraro don tunani mai mahimmanci.
Aiki Yana Kammala!
Wannan kayan aiki yana ba da zaɓi mai yawa. Ba kayan aikin Renaissance ba ne waɗanda ke taimaka muku adana lokaci don babban sakamako. Yana da sassauƙa sosai, ƙwararrun ƙwararru, kayan aiki mai inganci.

Babi na 3 - Na musamman na Chef

MATSALOLIN ARZIKI DA DE-MASKING.
An yi bincike game da tasirin sauti mai ƙarfi akan sautuna masu laushi shekaru da yawa. Akwai rarrabuwa da yawa don yin abin rufe fuska kuma ana ɗaukar mafi inganci abin rufe fuska a gaba cikin lokaci zuwa sama a cikin mita. Kawai sanya ƙananan mitoci masu ƙarfi suna shafar yadda muke ganin mafi girman mitoci masu laushi.
Ƙarƙashin ƙaramar ƙarar ƙarar mitar tana rufe mafi girman mitoci. A cikin LinMB za mu iya ɗaukar kowane band a matsayin abin rufe fuska ga band ɗin da ke sama da shi, don haka lokacin da sautin da ke cikin wani band ɗin ya yi ƙarfi sosai zai sami tasirin abin rufe fuska ga sautin da ke sama da shi. Don magance wannan za mu iya gabatar da ɗan ɗagawa zuwa bakin kofa na band ɗin da aka rufe kuma a sakamakon haka zai sami raguwa kuma ya zama ɗan ƙarar ƙara ko cire abin rufe fuska.
The Linear Phase MultiBand processor lets each band be sensitive to the energy in the band below it. The “Adaptive” control is a continuous scale of sensitivity to the Masker scaled in dB’s. –inf. Adaptive = off, this means no sensitivity and the threshold is absolute regardless of what’s happening in the lower band. When increasing the value the band will become more and more sensitive to the energy in the band below it, The energy ranges from –80dB tp +12. We call 0.0dB Fully Adaptive and values above it are Hyper Adaptive.
Lokacin da makamashi a cikin band ɗin Masker ya yi girma za a ɗaga bakin kofa. Lokacin da makamashi a cikin ƙananan band ya faɗi, an bayyana dalla-dalla, ƙofa yana komawa ƙasa kuma raguwa ya koma al'ada. Har ila yau akwai amsawar sarkar da ke haifar da rashin fahimta na gabaɗaya na matsawa zuwa manyan makada a duk lokacin da ƙananan makada ke da ƙarfin ƙarfi.
Kowane band na MultiBand mai layi yana da nasa saitunan matsawa kuma injiniyan na iya so ya ƙara matsawa lokacin da band ya fallasa da ƙasa lokacin da abin rufe fuska. A cikin misaliample waƙar ta fara da sautin solo sai kuma sake kunnawa ya shigo kuma hoton ya canza. Matsakaicin “hasuwar” na muryar suna zama mafi mahimmanci sannan ƙananan sautunan “Dumi” na muryar, don haka don dawo da dumin sa za mu so mu rage shi lokacin da sake kunnawa ya shiga.
Wannan macro exampwanda za'a iya bi da shi cikin sauƙi tare da ɗan sarrafa kansa amma a cikin ra'ayi masking yana faruwa akan ƙananan sikelin a cikin shirin. Don misaliample a staccato bass line masks kuma yana fallasa sautin bandeji mafi girma akan sikelin inda hawan da hannu ba shi da amfani. Halin daidaitawa shine amsa mai amfani.
Halayyar De-Masking Adafta sabuwa ce ga kusan duk masu amfani, kuma wasu na iya tunanin ba lallai ba ne. Duk da haka yana da ban sha'awa, tasiri kuma yana da darajar gwadawa.
Wasu na iya ganin yana da amfani amma kuma yana iya yin kira don yin wasu ayyuka kafin ku gamsu da shi. Optionally, yana iya canza yadda kuke aiki.
A matsayin mataki na farko, gwada ƙara ɗabi'a mai daidaitawa zuwa shirye-shiryen da aka yi akan kayan da kuka sani sosai. Saita ikon daidaitawa zuwa -0dB a wannan saitin za ku sami halayen daidaitawa sosai. Yi ɗan gwajin sauraron A> B. Yi ƙoƙarin ba da kulawa ta musamman ga sassan da ke da yanayi daban-daban na ban mamaki kuma ka ji yadda ɗabi'ar daidaitawa ke amsawa gare su suna ƙara hanyar da ta fi dacewa ga motsi. Wannan example yana da ɗan matsananci kuma ana ba da shawarar gwada saituna a kusa da -12 dB don lalata abin rufe fuska. Hakanan yana iya zama mai ban sha'awa don runtse gabaɗaya kofa na manyan ƙungiyoyin "Adaptive" guda 4 ta hanyar Multi-zaɓawar ƙofofin su da ja da su ƙasa don rama ƙarin rashin hankali, A kowane hali lokacin da aka fallasa su za su kasance masu ƙarfi da sako lokacin da aka rufe su. .
AUTO MAKEUP
Lokacin Aiwatar matsawa daidaita ƙofa yana rage ƙara.
Lallai a yawancin kwampressors muna iya jin raguwar riba gabaɗaya kuma za mu iya amfani da ribar kayan shafa don dawo da ƙarar da ta ɓace.
A cikin WideBand compressors muna samun kayan shafa ta atomatik don zama madaidaiciya.
Kayan shafa ta atomatik zai haɓaka ta hanyar juzu'in ƙimar Ƙofar, ko kuma wani lokacin yana da abin shafa mai dogara ga bakin kofa "kewaye" wanda ke lissafin gwiwa da rabo kuma. A cikin MultiBand akwai wasu la'akari. Za a tara makamashin makada da na sauran makada don haka yana da wuya a iya hasashen ɓangaren ƙarfin maɗaukakin maɗaukaki akan siginar WideBand da aka taru.
Kayan gyaran jiki ta atomatik a cikin LinMB yana da ɗan kama da shi a cikin lissafin ƙira, Range da Knee. A wide band za mu yi amfani da headroom don ƙara ƙara da ƙara sa'an nan zai yiwu kafin damfara. A cikin yanayin MultiBand An ƙirƙira shi don taimakawa kiyaye daidaiton matakin gaba ɗaya don ingantacciyar a/b kwatanta. Yayin da a cikin wideband compressor gabaɗaya matakin za a rage a cikin LinMB kawai riba na wani band za a rage dangane da sauran. Zai fi sauƙi don jin ƙarar da ta ɓace sannan ainihin matsawa don haka aiki tare da Auto kayan shafa matakin makada ya kasance iri ɗaya kuma zaku iya mai da hankali sosai kan sautin tsarin kuzarin wannan rukunin. Kuna iya zaɓar yin amfani da kayan shafa ta atomatik azaman yanayin aiki don taimakawa samun matsi na kowane band don sauti daidai, Sannan shafa kowace ribar band a samansa. Lokacin kawar da kayan shafa ta atomatik za'a sabunta tasirin sa zuwa ga kowace ribar band. Ana ba da shawarar fara saita ƙofofin ƙididdiga na kowane band zuwa mafi girman kuzari a cikin kowace ƙungiya. Sannan shigar da kayan shafa ta atomatik kuma ci gaba da daidaita abubuwan da ake so.
Kayan shafa ta atomatik baya tsoma baki tare da sarrafa kowane rukunin Gain. Hakanan ba za a iya tabbatar da guntuwar shi ba kuma jimlar Fitar da aka samu za ta yi amfani da shi don rage tazarar da ke tsakanin kololuwa da cikakken sikeli.
WAVES ARC™ – Sarrafa KYAUTA
An ƙera waves ARC kuma an yi muhawara a cikin Waves Renaissance Compressor. Wannan na yau da kullun yana saita mafi kyawun lokacin daidaitawar riba ta kasancewa mai kula da shirin. Har ila yau Ikon Sakin Saki na atomatik yana nufin lokacin sakin band ɗin sa kuma yana inganta shi bisa ga ainihin abin da ke tabbatar da mafi girman gaskiya. Kafin ARC ko da yaushe ana buƙatar ciniki tsakanin Ruɗi mai hatsi tare da gajerun lokutan saki zuwa Pumping lokacin saita lokutan saki mai tsayi. ARC yana taimakawa rage girman waɗannan kayan tarihi. Don samun sakamako mafi kyau, zaku iya saita lokacin sakin ku don mafi kyawun sasantawa tsakanin karkatarwa da famfo sannan kuyi amfani da ARC don samun sakamako mafi kyau tare da ƙarancin kayan tarihi. A madadin za ku iya kawai ƙidaya wannan fasaha, saita ƙimar sakin ku zuwa filin wasan ƙwallon da ake so ko tsaya tare da sikelin sakin daga saiti kuma dogara ga ARC don daidaita shi. ARC ta sami karbuwa sosai a duk inda muka gabatar da ita kuma a cikin LinMB tana kunnawa ta tsohuwa.

Babi na 4 - Gudanar da LinMB da Nuni.

MULKI
Sarrafa Ƙungiyoyin Mutum ɗaya
WUTA.
0--80dB. Tsohuwar - 0.0dB

Yana bayyana maƙasudin maƙasudin ƙarfin wannan band ɗin. A duk lokacin da makamashin da ke cikin wani maɗaukaki ya wuce za a yi amfani da daidaitawar riba. Don saukakawa, kowane bandeji yana da mitar makamashi don daidaita gani na Ƙofar

SAMU.
+/- 18dB. Tsohuwar 0.0dB

Yana saita ƙimar fitarwa gabaɗaya na band ɗin ko ƙimar kayan shafa na makada. Ana iya amfani da wannan sarrafa Gain don daidaita ribar band ɗin koda ba tare da wani kuzari kamar EQ ba. Hakanan ana amfani da shi don daidaita ribar band ɗin da ake matsawa ko faɗaɗa don gyara ɗakin ɗakin da aka ƙirƙira saya attenuation na compressors, ko yin ƙasa don hana yankewa.

RANGE.
-24.0dB - 18dB. Tsohuwar -6dB

Yana saita yuwuwar kewayon daidaitawar riba mai ƙarfi da kuma ƙarfinsa, yana maye gurbin "Ratio" na al'ada da ƙara ƙaƙƙarfan iyaka zuwa gare shi. Rage mara kyau yana nufin cewa lokacin da makamashi ya wuce iyakar za a yi amfani da raguwar riba, yayin da ingantaccen Range yana nufin haɓaka shi gaba. Kara karantawa game da kewayo a babi na gaba.

HARI.
0.50-500 ms. Matsakaicin ma'auni ga kowane rukuni.

Yana ƙayyade lokacin da za a ɗauka don amfani da raguwar riba daga lokacin da aka gano makamashin ya wuce iyakar.

SAKI.
5-5000 ms. Matsakaicin ma'auni ga kowane rukuni.

Yana bayyana lokacin da za a ɗauka don sakin daidaitawar riba da aka yi amfani da ita daga lokacin da aka gano ƙarfin kuzarin ya faɗi ƙasa da kofa.

SOLO.

Solo shine band ɗin zuwa manyan abubuwan sarrafawa don saka idanu akan hanyar wucewa ta kanta ko tare da wasu keɓaɓɓun makada.

BYPASS.
Yana ƙetare duk aiki akan band ɗin kuma yana aika shi zuwa babban abin fitarwa kamar yadda aka shigar dashi. Wannan yana ba da damar saka idanu da fitarwar da aka sarrafa vs. tushen kowace ƙungiya da kanta.

Crossovers - Xover

Akwai 4 Crossovers a cikin multiband liner. Kowanne yana saita mitar yankewa don matattarar High Pass da Low Pass waɗanda ke haye juna.
Don ƙididdige yanayin yanayin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙarƙashin Ƙi zai yi sautin danna lokacin da aka sake saita su zuwa sabon matsayi. Lokacin amfani da linzamin kwamfuta don daidaita mita ko lokacin ɗaukar alamomi a ƙasan Graph, sabon tace za a saita shi ne kawai lokacin da linzamin kwamfuta ya fito don guje wa hayaniyar zik ​​din. Yin amfani da maɓallan kibiya ko sararin sarrafawa za ku iya ci gaba mataki zuwa mataki don daidaita ma'aunin Xover ɗin ku. Sweets ba zai yiwu ba amma abin da ya kamata a mayar da hankali shi ne saita wuraren Xover zuwa mitar yanke da ake so.

Kowane ɗayan Crossovers huɗu yana da kewayon mitoci na musamman kamar haka:
LOW: 40-350Hz. Tsohuwar - 92Hz.
LOW MID: 150Hz - 3kHz. Tsohuwar - 545Hz.
HI MID: 1024Hz - 4750kHz. Default - 4000Hz.
HI: 4kHz - 16kHz. Tsohuwar - 11071Hz.

Sashen fitarwa
SAMU -

Yana saita ribar fitarwa gabaɗaya. Tsarin daidaitaccen tsari sau biyu yana tabbatar da babu shigarwa ko yanke ciki don haka ana amfani da wannan riba a wurin fitarwa don hana yankewa.

TRIM -

Maɓallin Gyaran Auto yana sabunta ƙimar kololuwa kuma idan aka danna shi yana daidaita ikon sarrafa kayan fitarwa don datsa gefe ta yadda kololuwar zata yi daidai da cikakken sikelin dijital. Don madaidaicin rigakafin faifan bidiyo bari shirin ko aƙalla manyan sassan ribar sa ya wuce. Lokacin yankan ya bayyana hasken shirin zai haskaka kuma akwatin sarrafa Gyara zai sabunta ƙimar kololuwa. Yanzu danna maɓallin Gyara don rage riba ta ƙimar mafi girma.
TAMBAYA -

Madaidaicin tsari na 48bit sau biyu na iya ɗaukar ambaliya. Sakamakon duk da haka yana fitowa a 24bit baya zuwa bus ɗin sauti na mai watsa shiri. Wasu runduna ta asali na iya fitar da fitowar maki 32 na iyo zuwa mahaɗar ko zuwa filogi na gaba, wannan shine kawai yanayin inda zamu ba da shawarar kada a yi amfani da dither. Ikon Dither yana ƙara dithering baya zuwa 24 bit maimakon kawai zagaye wanda zai kasance yanayin lokacin da Dither ya kashe. Hayaniyar dither da hayaniyar ƙididdigewa da ake zargin lokacin da babu dither, zai yi ƙasa sosai. Dither duk da haka na iya barin sakamakon 24bit kusan ya sami tsinkayar ƙuduri 27bit. Duk wani hayaniyar da aka gabatar za a ƙara haɓaka ta hanyar iyakance fitarwa (Tare da kashe L2
Hakika) don haka ba mu so mu sanya masu amfani da su cikin surutu kuma mu ƙyale a kashe shi.
A kowane hali, amo na iya tabbatar da cewa yana da kyau a ƙarƙashin bene na shirin kuma ana iya jin shi kawai a matsanancin matakan sa ido, wanda aka ɓoye a cikin ɗakin amo na tsarin ƙarfafawa. Daidaita karkataccen shiru na iya haɓaka maƙarƙashiya zuwa mummunan amo wanda gaba ɗaya baya cikin mahallin. Lokacin nazarin shirun da ba a yanke ba ya kamata a yi shiru sosai, amma wannan baya nufin wannan yanayin ya fi girma. Dither yana kunne ta tsohuwa kuma ana ba da shawarar amfani da shi sai dai idan kun san mai gidan ku yana ba da sauti na 32bit baya ga mai watsa shiri.
Saitunan Halayen Duniya na Duniya Waɗannan saitunan za su yi amfani da ɗabi'ar tsarin aiki mai ƙarfi na duniya wanda zai tasiri kaddarorin matsawa kowane band.

ARZIKI:
-inf.= Kashe - +12dB. Default – kashe.

Ikon daidaitawa yana saita azancin ƙungiyar zuwa makamashi a cikin ƙungiyar Maskerthe da ke ƙasa.
Mai sarrafa yana amfani da sikelin dB. Halin zai kasance lokacin da akwai ƙarfi mai ƙarfi a cikin wani maɗaukakiyar za a ɗaga bakin kofa don band ɗin da ke sama da shi don cire abin rufe fuska.
Kara karantawa game da Matsakaicin Daidaituwa da kuma rufe fuska a babi na 3.

SAKI:
ARC ko Manual. Default - ARC.

Ikon sakin atomatik yana saita mafi kyawun lokacin saki dangane da lokacin sakin hannu. Lokacin da aka zaɓi sakin da hannu sannan sakin attenuation zai zama cikakke kamar yadda aka nuna, Ƙara ARC zai sa sakin ya kula da adadin attenuation kuma saita mafi kyawun lokacin saki don samun ƙarin sakamako na gaskiya.

HALI:
Opto ko Electro. Default - Electro.

• Opto wani tsari ne na yau da kullun na kwampreso masu haɗaka da opto wanda yayi amfani da resistors masu haske don sarrafa adadin matsawa (a cikin da'irar ganowa). Suna da halayyar sakin “daka birki” yayin da raguwar riba ke gabatowa sifili. A wasu kalmomi, mafi kusancin mita yana dawowa zuwa sifili, gwargwadon motsi. (Wannan shine sau ɗaya raguwar riba shine 3dB ko ƙasa da haka). Sama da 3dB na raguwar riba, yanayin Opto a haƙiƙa yana da lokutan saki da sauri. A taƙaice, Yanayin Opto yana da saurin sakin lokuta a babban raguwar riba, lokacin sakin jinkiri yayin da yake kusantar sifili GR. Wannan na iya zama da amfani sosai ga aikace-aikacen matsawa mai zurfi.
• Electro wani nau'in kwampreso ne wanda Waves ya kirkira, saboda ya saba da yanayin Opto. Yayin da mita ke dawowa zuwa sifili, saurin motsi. (Wannan shine sau ɗaya raguwar riba shine 3dB ko ƙasa da haka). Sama da 3dB na raguwar riba, yanayin Electro a zahiri yana da lokacin sakin hankali a hankali, kamar ƙaramin matakin ƙarami, wanda ke rage murdiya kuma yana haɓaka matakin. A taƙaice, Yanayin Electro yana da jinkirin lokacin saki a babban raguwar riba, da saurin sakin ci gaba yayin da yake kusantar sifili GR. Wannan yana da fa'idodi masu kyau don aikace-aikacen matsawa matsakaici inda ake son matsakaicin matakin RMS (matsakaici) da yawa.

Sani:
Mai laushi = 0 - Hard = 100. Default - 50

Wannan Jagorar sarrafa yana rinjayar duk halayen maɗaukaki 4 na gwiwa, kama daga mafi laushi (ƙananan dabi'u) zuwa mafi wuya (mafi girman ƙima). A matsakaicin ƙimar, Jagorar Knee kula da gwiwa yana ba da sautin daɗaɗɗen gefen, tare da nau'in nau'in nau'in nau'in nau'in nau'i. Daidaita don dandana. Knee da Range tare suna hulɗa don ba da daidai da sarrafa rabo. Don cimma halayen nau'in iyaka, yi amfani da saitunan Knee masu tsayi.

NUNA
HOTUNAN MULTIBAND:

Hoton MultiBand yana kama da hoton EQ yana nunawa Amplitude a cikin Y-axis da Frequency in X-axis. A tsakiyar jadawali yana zaune DynamicLine a cikin wannan yana nuna daidaitawar kowane rukunin ribar kamar yadda yake faruwa a cikin Range, wanda alamar Bluish ke wakilta. A ƙarƙashin jadawali akwai alamomin mitar mitar 4 Crossover kuma akan jadawali akwai alamomi guda 5 waɗanda ke ba ku damar saita ribar band ɗin ta jawo sama ko ƙasa da faɗin band ɗin ta ja gefe.

MATAKAN FITARWA:

Mitar abubuwan da aka fitar suna nuna babban fitarwa na mai sarrafawa. A ƙarƙashin kowace mita akwai alamar riƙon kololuwa. Mulki na datsa a karkashin mita yana nuna gefe na yanzu tsakanin kololuwa da cikakken sikelin. Ana sake saita abubuwan riƙewa da Ƙimar Gyara lokacin dannawa a yankin mita.

MATA MAFARKI:

Kowane Band yana da nasa mita da ke nuna ƙarfin shigar da ke cikin wannan rukunin. Ƙarƙashin mita akwai alamar lamba kololuwa. Lokacin da kake son saita madaidaicin ƙofofin ku za ku iya amfani da kololuwar azaman tunani sannan ku ci gaba da saita su tare da sarrafa babban ƙofar.

Babi na 5 - Ra'ayin Rage da Ƙofar Kofa

Manufar 'Treshold' da 'Range' maimakon sarrafa 'Ratio' na gargajiya yana haifar da wasu sassauƙa da amfani mai ƙarfi ga LINMB. Sun haɗa da ƙananan matsawa da faɗaɗawa, suna ba ku multiband "mampressors na sama" da masu rage amo.

TSOHUWAR MAKARANTAR / WATA MAKARANTA
A cikin tsarin kwampreso na al'ada, idan kun saita ƙaramin Ƙofa tare da kowane Ratio da aka bayar, matsananciyar raguwar sigina mai girma na iya faruwa. Don misaliample, tare da Ratio na 3: 1 da Ƙarfin -60dB zai haifar da raguwar riba -40dB don siginar 0dBFS. Irin wannan yanayin ba kasafai ake so ba, kuma gabaɗaya za ku saita irin wannan ƙananan Ƙofar a cikin kwampreta na yau da kullun lokacin da matakin shigarwa shima yayi ƙasa sosai. A al'adar gama gari, fiye da -18dB na raguwar riba ko karuwar riba +12dB ba safai ake buƙata ba, musamman a cikin na'ura mai ɗaukar hoto.
A cikin LINMB, manufar 'Range' da 'Treshold' sun zo da amfani sosai. Yana ba ka damar farko ayyana matsakaicin adadin canjin riba mai ƙarfi ta amfani da ikon 'Range', sannan ka ƙayyade matakin da kake son canjin riba ya gudana ta amfani da 'Threshold'. Haƙiƙanin ƙimar waɗannan sarrafawar sun dogara da nau'in sarrafawa da kuke so.
Idan Range ba shi da kyau; za ku sami canji na ƙasa.
Idan Range ya tabbata; za ku sami canji na sama.
Haƙiƙan jin daɗi mai sassauƙa yana faruwa lokacin da kuka daidaita wannan Range mai ƙarfi tare da ƙayyadadden ƙimar Gain.

MATSAYI MAI GIRMA

Babban matsi a cikin C1. Rabo shine 1.5:1, Ƙaddamarwa shine -35. Daidaitaccen saitin LINMB zai saita Range zuwa kusan -9dB, tare da saita Gain zuwa 0.
Idan kuna sha'awar matsawa na al'ada (wanda ake kira a nan 'matsi mai girma' saboda yanayin matsawa yana faruwa a manyan matakai), kawai saita Ƙofar zuwa manyan dabi'u, tsakanin -24dB da 0dB, da Range zuwa matsakaicin ƙima mara kyau. , tsakanin -3 da -9. Ta wannan hanyar za a sami canje-canjen riba a babban ɓangaren abubuwan shigarwa - kamar yadda kwampreta na yau da kullun zai yi.

FADAWA BABBAN MATAKI (MAI FAƊA)

Mai faɗaɗa sama daga C1, tare da rabo na 0.75: 1, Ƙofar a -35.
Daidaitaccen saitin LINMB zai zama kewayon +10 ko makamancin haka, dan kadan fiye da yadda kuke buƙata. An nuna shi kawai don bayyanannen example.
Don yin faɗaɗa zuwa sama (“uncompressor”) don maido da ƙarfin kuzari fiye da kima, kawai juya saitin Range. Sanya Range ya zama tabbataccen ƙima, faɗi tsakanin +2 da +5. Yanzu duk lokacin da siginar ke kusa ko sama da Ƙaddamarwa, za a faɗaɗa abin da ake fitarwa zuwa sama, tare da haɓaka mafi girma na ƙimar Range. A wasu kalmomi, idan Range ya kasance +3, to, matsakaicin fadada zai zama karuwa 3dB.

KARANCIN MATSAYI
Ƙananan masu sarrafawa sune inda muke fara samun ƙarin nishaɗi. Ta amfani da ƙayyadaddun kulawar Gain don kashe Range, zaku iya shafar ƙananan sigina kawai.
If you are interested in increasing the level of soft passages, but leaving the louder passages untouched, (termed here ‘low-level compression’), set the threshold to a low level (say –40 to –60dB). Set Range to a small negative value, such as -5dB, and set Gain to the opposite value (+5dB). The audio around and below the Threshold value will be “compressed upward” a maximum of 5dB, and the higher audio levels will be untouched, including their transients.
This will cause high levels signals (i.e. that are significantly above Threshold) to have no gain Change – since at high levels the Range and Gain controls are opposite values and together they equal unity gain. While around and below the Threshold, the Range is increasingly “inactive” and therefore approaches a zero-gain value. Gain is a fixed value, so the result is that the low level signal is increased by the Gain control, achieving the so-called “upward compression” concept.
Wannan a bayyane yake lokacin da kuka ga wannan hali akan nunin LINMB. Dubi rawaya DynamicLine kawai yayin da siginar shigarwa tayi ƙasa ko babba, kuma duba sakamakon EQ kwana. A cikin aikace-aikacen compressor multiband, wannan ƙananan matsawa yana da amfani sosai don ƙirƙirar 'Ƙarfafa Ƙarfafa' Ƙarfafawa wanda zai iya haɓaka Ƙungiyoyin LOW da HIGH kawai lokacin da matakan su ya yi ƙasa, kamar yadda kawai tsohon.ample.

Layin sama yana nuna ƙaramar matsawa (a sama), wanda aka samu lokacin da Range ba shi da kyau kuma Gain daidai yake amma tabbatacce. Ƙananan layi yana nuna ƙaramar haɓakawa (ƙasa), wanda aka samu lokacin da Range ya kasance tabbatacce kuma Gain daidai yake amma mara kyau. Ana ɗaukar hoto daga C1 don taimakawa ganin tsarin riba a cikin LinMB.

KARAMAR FADAWA (KOFAR SURYA)
Idan kuna sha'awar ƙofar amo don wani maɗaukaki ko makada, saita Range zuwa ƙimar ƙima, Sami zuwa juzu'in Range, da Ƙofar zuwa ƙaramin ƙima (ce -60dB). Kama da na sama example, a manyan matakai ana kiyaye cikakken haɓakar riba mai ƙarfi da Range ya saita, kuma ana samun cikakken diyya ta hanyar Gain. Yayin da ke kusa da ƙasa da Ƙaddamarwa, samun canji mai ƙarfi yana zuwa kusa da 0dB, kuma sakamakon shine cewa an yi amfani da ƙayyadaddun riba mara kyau zuwa siginar ƙananan matakin - wanda kuma aka sani da gating (ko fadada ƙasa).
TUNANIN "KASA KASA".
Waɗannan ƙananan matakan examples na iya zama ɗan jujjuyawa ga abin da kuke tsammani. Misali, ƙofar amo zata sami ingantaccen Range.
Idan kawai ka tuna cewa lokacin da siginar ke kewaya Ƙofar, to, Range ya zama "aiki", kuma cewa Ƙofar ita ce tsakiyar tsakiyar Range. Don haka ko Range shine + 12dB ko -12dB, to, audio 6dB a sama da 6dB a ƙasa da Ƙaddamarwa shine inda "gwiwoyi" na canji mai ƙarfi zai faru.
Kyakkyawan Range
Sa'an nan, idan Range yana da inganci kuma an saita Gain ya zama mummunan Range (kishiyar amma daidai), to a kusa da sama da Ƙaddamar duk sauti zai zama riba 0dB (haɗin kai). A ƙasan Ƙofar, Range ba ya aiki, don haka Gain (wanda ba shi da kyau) "yana ɗauka" kuma yana rage ribar ƙungiyar. Wannan shine abin da ke ba da faɗaɗa ƙasa.
Rage mara kyau
Wani da alama tsohonampMa'anar "juye-baye" ita ce matsawar ƙaramin matakin yana ɗaukar mummunan Range. Hakanan, tuna cewa a cikin LINMB, duk lokacin da sautin yana kusa da Ƙaddamarwa, Range yana aiki. Don haka, idan muka saita Range zuwa mara kyau, duk wani abu da ke kusa ko sama da Ƙofar za a iya rage shi cikin riba. Duk da haka! Anan ga ɓangaren ɓarna: idan muka saita Gain don daidaita ƙimar Range daidai, to duk abin da ke sama da Ƙaddamarwa ba shi da wani canji mai tasiri kwata-kwata, wanda ke nufin duk abin da ke ƙasa da shi yana “ɗauka”. (Idan ka ɗauki wannan ɗan gaba kaɗan, za ku yi la'akari da cewa duk sautin daidai a Ƙaddamarwa zai sami rabin ƙimar Range a fa'ida mai kyau).

KARIN HANYA DAYA TUNANI GAME DA SHI
Ga wani ɗan taimako ta yadda za ku iya koyo da amfani da ƙarfin LinMB gwargwadon ƙarfinsa. Za mu dauki wani tsohonampdaga Waves C1 Parametric Compander, mai sarrafa band ɗinmu ɗaya (shima yana yin wideband da sidechain). Yana da ma'auni na al'ada da ikon sarrafa kayan shafa kuma an yi amfani dashi sosai don matsawa zuwa sama (duka masu fa'ida da fa'ida mai fa'ida).
Layin MultiBand Parametric Processor yana da doka mai kama da kwampreso kamar Waves C1 da Waves Renaissance Compressor. Wannan samfurin yana ba da damar "layin matsawa" don komawa zuwa layin rabo na 1: 1 yayin da matakin ya ci gaba da karuwa. A wasu kalmomi, babu matsawar ƙaramin sigina, matsawa a kusa da Ƙofar, kuma da zarar siginar ta wuce kaɗan kaɗan, matsawar ta koma layin 1: 1 (babu matsawa).
A cikin hoton da aka nuna, zaku iya ganin ainihin irin wannan layin. Matsakaicin shine 2: 1 kuma Matsakaicin shine -40dB. Layin yana ɗan lanƙwasa kaɗan (-3dB ƙasa) a -40 shigarwar (ma'auni a ƙasa). Matsayin fitarwa shine ma'auni a gefen dama na tsaye, kuma kuna iya ganin cewa a kusan -20dB, layin yana fara lanƙwasa baya zuwa layin 1:1.

Don haka, kololuwar sauti mai girman gaske tsakanin 0 da –10dBFS ba a taɓa su kwata-kwata, audio tsakanin –10 da –40 ana matsawa, kuma sautin da ke ƙasa –40 ba a matsawa ba, amma yana da ƙarfi sosai a wurin fitarwa fiye da shigarwar. Wannan shine matsawa ƙasa, ko "matsi na sama".
Irin wannan dabarar tana da fa'ida sosai kuma injiniyoyin rikodi na gargajiya sun aiwatar da su, ƙwararrun gidaje, da watsa shirye-shiryen gargajiya.
Ƙunƙarar ƙananan matakan zai iya "ɗaga" sautuna masu laushi a hankali kuma ya bar duk manyan matakai da masu wucewa gaba ɗaya ba a taɓa su ba, yana rage ƙarfin ƙarfi daga ƙasa zuwa sama.
Mun ce LinMB ya “yi kama da C1, amma ya bambanta ta hanya mai mahimmanci: Ƙaddamarwa tana bayyana tsakiyar tsakiyar Range. Don haka, don cimma lanƙwasa iri ɗaya a cikin LinMB kamar yadda aka nuna a nan, Matsakaicin kan LinMB zai kasance kusan -25 tare da saitin kewayon +15.5dB. Yanzu wannan adadi ne mai yawa! The example da aka nuna a nan don kawai bayyana shi ne; mun ɗauki layin 2:1 kawai saboda yana da sauƙin gani akan shafin. A hakikanin gaskiya, ƙananan matsawa wanda ke ɗaga sauti mai laushi sama da 5dB daidai yake da madaidaicin rabo na 1.24: 1. Ɗaga ƙananan matakin sama kusan 5dB yana da kyau tsohonample saboda dalilai da yawa. (1) wuri ne na gaske wanda zai iya zama daidai da abin da injiniyoyin da aka ambata a baya suke yi; (2) kawai haɓaka bene na amo ta hanyar da aka yarda da ita don aikace-aikacen da yawa; (3) mai sauƙin ji akan kusan kowane nau'in audio, ba kawai na gargajiya ba. A cikin menu na Load na LinMB akwai wasu saitattun masana'anta tare da sunaye waɗanda suka fara "Upward Comp..." waɗanda ke da kyau don ƙarin koyo game da wannan ra'ayi. Ƙarin saiti suna cikin Laburaren Saitin LinMB.
A babi na gaba akwai ƙarin takamaiman examples na yin amfani da ƙananan sarrafawa (matsi, faɗaɗa) waɗanda ke da kyau sosai wuraren farawa da kuma samfuri don koyo.

Babi na 6 – Exampmai amfani

AIKATA MULKI DA MALAMAI
A wani lokaci masu matsakaici ba za su iya sarrafa kewayon kuzari iri ɗaya da ƙungiyar makaɗa za ta iya samarwa ko kuma Marufo za ta iya canza shi ba, don haka don ƙananan hanyoyin kada su yi ƙasa sosai kuma kololuwar ba su yi girma ba, an yi amfani da matsawa da iyakacin iyaka. A cikin watsa siginar AM, mafi zafi da siginar ya kasance mafi girman abin da zai kai. Tunda matsi mai fadi da yawa yana haifar da murdiya waɗannan masana'antu sun yi amfani da matattarar EQ Xover don raba siginar da ciyar da ita cikin kwampreso daban-daban sannan a haɗa baya. Matsakaicin yau don watsawa da sake kunna kiɗan gida suna da kewayo mai ƙarfi wanda ya dace sosai don ɗaukar matsananciyar kuzari, duk da haka ana amfani da compressors sosai a mafi yawan lokuta kuma a wasu zuwa matsanancin matsayi.
Mun gano cewa a zamanin yau Mastering stage shine inda ake sarrafa siginar faɗaɗa tare da matsawa don mafi kyawun fassarar daga ƙaramin hayaniya ƙwararrun yanayin haɗawa zuwa tsarin gidan hi fi, ƴan wasan lasifikan kai na sirri ko tsarin haɓaka mota. A wannan stage yana da fasaha na dabara don haɗa haɗin da aka shirya yayin da ake ɗaukar advan yadda ya kamatatage na manufa kafofin watsa labarai Properties da na hali manufa haifuwa Properties don isa ga wani ganiya.
Maigidan zai kasance mai ɗaukar abin da ake kira "Flat" na kayan shirin. Wannan martanin na “Lafit” yana iya da kyau a ƙara sarrafa shi a gefen mai sauraro don haɓakawa ko yanke mitoci bisa ga zaɓin dandano. Yayin da za mu iya kaiwa ga daidaitawar dangi tare da na'urorin EQ, yana iya zama wani lokaci madaidaici kuma wataƙila ya zama dole don ƙara wasu matsawa na dogaro da mitar ko ja don dacewa da mafi kyau. Yana kama da sanya mahaɗin akan bitamin, yana mai da shi mai ƙarfi sosai a cikin kowane zangon mita don yanke mafi kyau a kowane yanayin sake kunnawa.
Ana ba da shawarar yin amfani da kuzarin MultiBand a matsayin ƙarni na farko na ƙwanƙwasawa kafin amfani da wani stage na wide band iyakance.
Ta wannan hanyar za a kiyaye ƙarin bayyananniyar adadin adadin ƙarar da aka samu. MultiBand stage zai yi aiki don inganta ƙarfin siginar faɗaɗa don waccan s na ƙarshetage. Kamar yadda aka nuna a baya ciniki ne na dabara. Dandanni da gwaninta na injiniyan gwaninta za su tantance sakamakon kuma MultiBand na Linear na iya zama kayan aikin matakin purist wanda ke ba da cikakkiyar fayyace lokacin raba siginar zuwa ƙungiyoyi 5 masu hankali don injiniyan ya yi abin da ya ke.
Wannan gefe, muna ba da shawarar gwada saiti na Multiband Opto Mastering, ko Babban saiti mai yawa. Kowannensu zai ba ku matsi mai ma'ana da ƙara yawan haɗuwar ku.
Don haɓaka sigina mara ƙarfi (kyakkyawan hanya don haɓaka matakin ba tare da ɓata lokaci ba), gwada fasalin Upward Comp +5, ko +3 na saiti. Wannan yana da kyau don ƙara matakin ba tare da rasa naushi ba.

DOMIN GYARA MIX
Yawancin lokaci, kuna son yin amfani da daidaitattun saitunan Gain da Range a cikin maƙallan don kada ku canza ma'auni da yawa.
Duk da haka, ba cikakkiyar duniya ba ce, kuma yawancin gaurayawan ba su da kyau. Don haka bari mu ce kuna da haɗin da ke da harbi da yawa, daidaitaccen adadin gitar bass, kuma yana buƙatar ɗan “sarrafar kuge” da cire-essing.
Load da saitattun BassComp/De-Esser.

• Daidaita bass Threshold, band 1, har sai an sami ɗan matsawa.
• Daidaita band 1 sarrafa harin zai bari ta hanyar fiye ko žasa na bugun kanta.
• Daidaita band 1 Samar da iko yana ba ku damar saita gaba ɗaya matakin bugun da bass. Idan matsawa yana jan guitar bass ƙasa da yawa, zaku iya ƙara Gain har sai bass ɗin yayi daidai, sannan daidaita ƙimar Attack don sarrafa bugun ganga har sai ya sami daidaito mafi kyau.
• Lokutan harin da suka fi sauri zai ba da damar raguwa; a hankali lokuta zai bari a ji fiye da shi. A zahiri, tare da tsayin tsayin saiti, ƙila za ku iya haɓaka kewayo mai ƙarfi tsakanin ƙara mai ƙarfi da guitar bass, wanda ba shine tsohon ba.ample duk game da.

LINMB AS “DYNAMIC EQUALIZER”
Saboda ma'anar RANGE da THRESHOLD da aka bayyana a Babi na 5, yana da sauƙi a yi la'akari da Waves LinMB a matsayin mai daidaitawa mai ƙarfi wanda ke ba ka damar saita 2 daban-daban EQ masu lankwasa (ƙananan matakin EQ da babban matakin EQ), sannan saita wurin sauyawa a tsakanin su. . Canjin shine ikon sarrafa Kofa, wanda ke zaune a tsakiyar tsakiyar ƙimar Range. Tabbas, ba “morphing EQ bane” amma tabbas tsari ne mai ƙarfi wanda ke motsawa tsakanin saitunan EQ daban-daban guda biyu.
Ga wani tsohonample. Load da saitattun masana'anta Ƙaramar-mataki daga menu na Load. Kuna iya ganin kewayon shunayya yana da 2 daban-daban "masu lankwasa", ƙananan gefen da babba. Ƙarƙashin ƙasa yana da lebur, gefen babba yana da bayyanannen "ƙaramar ƙara" gare shi. Yanzu tuna cewa an saita wannan azaman kwampreso, don haka lokacin da siginar tayi ƙasa, gefen babba na band ɗin purple zai zama EQ; lokacin da siginar ya yi girma (kuma an matsa) ƙananan gefen band ɗin zai zama EQ. Don haka ga wannan example, ba tare da matsawa ba (sautin ƙananan ƙananan) za a sami ƙarar ƙararrawa (ƙarin haɓakawa da raguwa); tare da matsawa, sautin zai sami "lebur EQ".
- Kunna wasu sauti ta hanyar saitin Ƙarƙashin Ƙarƙashin Ƙarfafa.
Za ku ga cewa an matse sautin zuwa ƙasa zuwa layi mai faɗi, ta yadda yayin da ƙarin matsawa ke faruwa, ingantacciyar lanƙwan EQ (ko da yake mai ƙarfi) yana lebur.
- Yanzu rage matakin shigarwa zuwa LinMB, ko kunna sashin kiɗan natsuwa don a sami ɗan matsawa ko a'a.
Za ku ga cewa ba a matse sautin ba kwata-kwata, don haka DynamicLine “ya manne” zuwa babba. Ta hanyar saita ikon Gain na kowane band, kuna sarrafa ƙaramin matakin EQ na mai sarrafawa; ta hanyar saita ikon Range na kowane band, kuna sarrafa babban matakin EQ.

Yadda ake ƙirƙirar saitin EQ ɗinku mai ƙarfi (don haɓaka ƙananan matakin):

1. Saita Range zuwa adadin raguwar riba da ake so a kowace ƙungiya; wannan kuma yana saita "EQ" na siginar da aka matsa.
2. Saita Ribar kowane rukunin don ganin ƙaramin matakin EQ da ake so. Misali, kuna iya son waƙar ta sami ɗan ƙaramin bass lokacin da ta yi laushi, don haka saita ƙungiyar bass (s) don ƙimar ƙimar su ta fi sauran makada.
3. Ƙimar hari da sakin ya kamata su dace da rukunin mitar.
   (Wannan shine dalilin da ya sa gabaɗaya yana da sauƙin aiki daga saiti, sannan tweak ɗin don abin da kuke buƙata).
4. Saita Ƙofar don halin da ake so. Abin da kuke so shi ne don manyan matakan waƙar da za a matsa kusa da ƙananan gefen yanki na purple (don samun EQ don babban matakin); don haka, ƙimar Range kada ta kasance babba sosai. In ba haka ba, za ku kasance mai matsawa da yawa, wanda watakila ba shine abin da kuke so don yawancin aikace-aikacen ba.

LINMB A MATSAYIN PROCESSOR
Muryar murya ko waƙa duka suna da buƙatu iri ɗaya a cikin matsawa da cirewa, kuma na'urar multiband na iya zama mai kyau ga wannan. A zahiri, LinMB kuma yana ba ku damar yin aiki azaman EQ shima, kamar yadda aka ambata a baya.

• Load da saitattun sauti daga menu na Load.
• Ana iya ƙetare kowane ɗayan makada! Idan ba kwa buƙatar cire-popping, kawai kewaye band 1, ga misaliample.
•  Band 1 don de-popping ne, ba tare da shafar bass mai zurfi ba.
• An saita band 2 mai faɗi sosai, don aiwatar da yawancin aikin.
• Band 3 de-esser ne, tare da haɓaka 1dB (lura cewa Gain yana da 1dB sama da makada 1 da 2).
• Band 4 shine kawai "iska" na muryar, kawai tad na matsawa da haɓaka 2dB sama da makada 1 da 2.
• Optionally, zaku iya saita Band 1 GAIN zuwa -10, tare da saita RANGE zuwa sifili, kuma ƙaramin Crossover saita zuwa 65Hz. Wannan na iya rage kowane fashe ko bugu amma yana iya cire wasu ƙananan abubuwa masu mahimmanci; yi shi kawai idan akwai matsaloli na gaske.

Yanzu, yayin kunna murya ko muryoyi ta hanyar LinMB, solo kowane rukuni don jin abin da zai shafi. Band 2 tabbas yana da duk "nama" na muryar, kuma ta amfani da Band 1 saita zuwa ƙananan juzu'i, duk wani sauti mai ƙarfi ko rumble za a ware.
Daidaita maƙallan kowane band don ku sami matsi mai ma'ana akan band 2, tare da ƙaƙƙarfan de-essing akan band 5. Sa'an nan kuma daidaita ikon Gain don daidaita sautin muryar.
An saita ikon sarrafa Q da Knee sosai a cikin wannan saiti (wanda aka ƙirƙira da farko don ƙarar murya), kuma tabbas za a iya tausasa don muryar waƙa. Gwada ƙananan ƙimar Q da Knee tare da ƙananan saitunan Range don ƙarin matsawa a hankali, yayin da har yanzu yana ba ku ƙaƙƙarfan ragewa da "ƙayyadaddun iska".

AS UN-COMPRESSOR
Wani lokaci kuna iya samun waƙa ko rikodi wanda aka sarrafa a baya, kuma maiyuwa ba ta hanya mai ban sha'awa ba. A takaice dai, wani zai iya danne waƙar da gaske.
Zuwa wani mataki ta yin amfani da faɗaɗa zuwa sama, wanda shine ainihin kishiyar matsawa, na iya dawo da ƙwaƙƙwaran ƙaƙƙarfan ƙarfi. Yayin da siginar ke zagaye ko sama da Ƙaddamarwa, siginar yana ƙaruwa cikin riba. Fadada zuwa sama yana ɗaukar ƙarin lokaci don daidaitawa saboda dole ne ku yi ƙoƙarin nemo daidaitattun saitunan abin da aka yi ga sautin, kuma koda kun san “lambobi” akan na'urar sarrafa ta asali, lambobin da gaske ba su da alaƙa daga processor ɗaya zuwa. na gaba sosai.

• Load da saiti na Uncompressor.
• Lura cewa an saita duk jeri zuwa kyawawan dabi'u ta yadda za a ƙara samun ribar lokacin da siginar ke zagaye ko sama da Ƙaddamarwa.
• Daidaita Ƙaddamar Jagora don ɗan faɗaɗa mai ma'ana.

Yanzu yana da mahimmanci a nuna cewa hare-haren da lokutan saki suna da matukar mahimmanci ga hanyar fadada aiki. A mafi yawan lokuta na abubuwan da aka matse, kololuwa da naushi sun ragu sosai, don haka saurin harin lokaci zai taimaka wajen dawo da waɗannan kololuwar. Tsawon lokacin saki yana taimakawa kawo kasancewar da dorewa a cikin kayan.
Duk da haka, bari mu ci gaba mataki ɗaya kuma a ɗauka cewa kuna da cakuda mai "humu-bushi" ko "famfo". Waɗannan suna da wayo, amma ana iya dawo dasu zuwa digiri. Game da naushi ramuka, wannan shine lokacin da kwampreso ya wuce gona da iri na raguwar riba, wato, ya wuce gona da iri ga siginar kololuwa kuma yana amfani da rage riba mai yawa ga siginar. Sau da yawa kololuwar kanta ba a taɓa matsawa ba, kawai sautin bayan kololuwa, don haka kuna so ku yi amfani da lokacin kai hari a hankali don guje wa faɗaɗa kololuwar har ma mafi girma, kuma a hankali.
daidaita lokacin saki don "cika cikin rami". Yana da wahala sosai don yin wannan akan mai faɗaɗa mai faɗi kamar C1, har ma da ƙari akan multiband.
Mafi kyawun abin da za a yi a wannan yanayin shine ƙoƙarin tantance ko yakamata kuyi amfani da faɗaɗa mai faɗi (kamar C1 ko Renaissance Compressor). Yin amfani da faɗaɗa mai faɗaɗa sama da yawa zai zama mafi kyau ga yanayin da takamaiman kewayon mitar ya wuce matsawa, kamar gauraya tare da matsawa da yawa akan bass. Wani example zai zama da yawa matsawa akan submix na drum kuma kuna buƙatar dawo da harin ganguna amma ba ƙananan mitoci ba, don haka kuna iya amfani da mitar tsakiya da babba zuwa sama.
fadada kuma watsi da ƙananan mitoci.
Kuna iya loda Uncompressor kuma kawai Ketare kowane band ɗin da ba ku buƙata.
Ga wata shawara: don ƙetare ƙungiya amma har yanzu ana samun ta azaman “EQ”, kawai saita ikon Range zuwa sifili kuma yi amfani da ikon Gain don saita matakin EQ a waccan rukunin.

Babi na 7 - Saitattu

GASKIYA NA NASIHA!
Anan akwai shawarar da aka ba da shawarar don daidaita saitattun saiti, ko da ba ku da niyyar “amfani da saitattu”. Wurare ne masu kyau kawai don farawa. Ƙirƙiri ɗakin karatu na ku ta amfani da umarnin saiti na mai amfani a cikin Menu Ajiye.

• Mataki na farko ya kamata ya zama daidaita madaidaicin madaidaicin ga kowane rukuni gwargwadon kuzarin wannan rukunin. Saita kibiya mai ƙiba zuwa saman ƙarfin mitoci, sannan zaɓi kayan shafa ta atomatik kuma daidaita ikon sarrafa bakin kofa zuwa ƙasa.
• Daidaita sarrafa kewayon Jagora don ƙarin aiki ko žasa mai ƙarfi (sauyin canji da adadin sarrafawa lokaci guda).
• Na gaba, daidaita kowane Matsakaicin band ɗin don samun adadin da ake so a kowane rukunin.
• Na gaba, daidaita sarrafa Attack da Saki. Tsawon hare-hare na iya nufin dole ne ka daidaita Ƙofar ƙasa don kiyaye aikin da kake so (kuma gajarta na iya nufin kana buƙatar ɗaga shi).
• Na gaba, idan an buƙata, daidaita Ribar kowane rukunin don sake daidaita abubuwan da aka matsa.

WAVESESTEM TOOLBAR
Yi amfani da mashaya a saman plugin ɗin don adanawa da ɗora saitattun saiti, kwatanta saituna, sokewa da sake gyara matakai, da sake girman plugin ɗin. Don ƙarin koyo, danna gunkin da ke saman kusurwar dama na taga kuma buɗe Jagorar WaveSystem.

KAYAN FACTORY
An tsara saitattun masana'anta don samar da kyawawan wuraren farawa don aikace-aikace daban-daban. Kamar yadda matakan ƙofofin ke da alaƙa da gaske shirin tsoho zai sami duk madaidaicin 0dB kuma don mai amfani ne ya daidaita ƙofofin ƙira.
Saitattun masana'anta lokacin da aka ɗora su zai kula da ƙayyadaddun ma'auni na mai amfani da ɗora duk wasu sigogi bisa ga saiti.

Cikakken Sake saitin
Wannan kuma shine saitin tsoho wanda LinMB ke buɗewa dashi lokacin da kuka fara saka shi akan bas ɗin TDM. Saitin ne mai sauƙin daidaitawa tare da matsakaicin Range. An saita Gain zuwa sifili ta yadda shine ainihin ribar haɗin kai don ƙananan sauti.
An saita band 1 don ƙananan bass, don kawar da gurɓataccen yanayi.
Band 2 yana yin Low-mids.
Band 3 yana yin Hi-mids.
Band 4 yana cikin ma'auni.
Band 5 shine madaidaicin band ɗin iska.
Ko da yake ba a saita Ƙofar ba tukuna, ɗan ƙaranci na iya riga ya bayyana idan kuzarin da ke cikin kowane makada ya yi girma sosai gwiwa mai laushi zai yi amfani da attenuation zuwa sigina -3dB da sama.
Basic multi
Dangane da tsoffin saitin da ke sama, wannan saitin yana amfani da madaidaicin ƙofa, ƙari yana da ingantaccen Riba na +4, don haka yana kusa da samun haɗin kai yayin ketare mafi yawan abubuwan fafutuka tare da kololuwa tsakanin -6 da -2dBFS.
Hard asali
Babban Range ya fi girma, don haka rabo ya fi girma kuma akwai ƙarin matsawa.
Koyaya, lokutan harin sun fi a hankali fiye da na Basic Multi, don haka masu wucewa har yanzu suna nan kuma ba a taɓa su ba. Saitaccen naushi.
Mai zurfi
Ba saiti na "lebur" ba, ta kowace hanya, wannan yana da zurfin Ragewa a kan babban ƙarshen, wanda ke nufin siginar zai zama bassier yayin da yake ƙara girma, kuma yana daɗaɗawa a cikin babban ƙarshen yayin da yake kara girma. Lokacin kai hari da lokacin saki suna da sauri, don haka damfara yana ɗaukar ƙari.

Ƙarƙashin Ƙarfafawa
Kyakkyawan ingantaccen ƙarar ƙara kamar yadda aka bayyana a Babi na 4 a cikin ɓangaren Ƙunƙarar Matsawa. Yayin da sautin ke ƙara ƙara, yana gabatowa "matsi mai lebur", amma duk ƙananan ƙananan sauti za su sami ƙararrawar bass da treble, kamar yadda aka gani ta gefen sama na band Range.
Wannan ba saiti ba ne na musamman da dabara. Don rage haɓakar, kawai rage Gain of Bands 1 da 4 (an saita su zuwa 4.9, wanda shine 3dB sama da maƙallan biyu na tsakiya). Gwada 1dB kawai (saita su duka zuwa 2.9) sannan kuna da ingantaccen saitin haɓaka matakin ƙarami mai kyau.

Comp + 3dB
A hankali kwampreso zuwa sama tare da lebur amsa. Yana ɗaga ƙananan sautin sauti ta 3dB a matsakaicin Matsakaicin -35dB.
Rage Ƙaddamar Jagora don ƙarin dabara, ɗaga shi don ƙarin fa'ida. Lura cewa saitunan giciye sun bambanta da saitin +5. An saita band 1 zuwa 65Hz don ƙananan bass; Band 2 shine octave na gaba kuma da farko yana ma'amala da mahimmancin guitar bass da nama na harba; Band 3 yana da faɗi sosai, daga 130Hz zuwa 12kHz; yin mafi yawan aikin; kuma Band 4 shine kwampreso na iska. Waɗannan maki suna ba da iko mafi girma akan bass (raba shi zuwa ƙungiyoyi 2), amma ba su da kewayon "ess-band". Idan matsawa zuwa sama yana ba da haɓaka da yawa a cikin mafi girma (sakamako na gama gari saboda ƙarancin ƙarfin HF gabaɗaya), sannan kawai rage Ƙofar a cikin babban band.
Comp + 5dB
Kama da saitin baya, amma tare da maki daban-daban na crossover, don sassauƙa daban-daban. Wannan ya fi kama da Basic Multi, tare da crossovers a 75, 5576, da 12249, don haka kuna da makada don Low Bass, Low-Mid, High-Mid, "Ess" ko gaban band, da kuma Air. Wadannan maki suna ba da iko mafi girma a kan babban ƙarshen (maɗaukaki 2). Wannan saitin ya fi muni, babban bambanci shine maƙallan giciye, wanda ke canza Matsakaicin mahimmanci daga saitin +3. Sauƙaƙe ƙara ko žasa m ta hanyar canza saitin Babban Gain. Idan matsawa zuwa sama yana ba da haɓaka da yawa a cikin mafi girma (sakamako na gama gari saboda ƙarancin ƙarfin HF gabaɗaya), sannan kawai rage Ƙaddamarwa a cikin manyan makada.
Multi Opto Mastering
Yanzu za mu shiga cikin wuraren da ba su wanzu ba tukuna, wasu kuma a cikin C4. Na'urar haɗe-haɗe na opto-band da yawa!
Wannan saiti ne mai fa'ida don ƙwarewa da ƙwarewa. Duk da cewa namu na kama-da-wane, lokacin sakin hankali da ke zama a hankali yayin da suke dawowa zuwa raguwar riba da gaske suna da sauti da halayen opto, kamar yadda Renaissance Compressor ke yi. Dogon harin da lokutan saki na wannan saitin ya bar mai sarrafawa ya ƙara ƙananan matakan a hankali yayin da yake da saitin na'urar kwampreso mai girma. Canza Sakin Jagora da sanya lokutan saki cikin sauri har yanzu zai adana masu wucewa da haɓaka matsakaicin matsakaici.
Multi Electro Mastering
Ɗayan ƙarshen bakan, gwargwadon gwaninta, tare da saitunan da yawa fiye da saitin Opto da aka bayyana a baya. Tare da saurin hare-hare da sakewa, Range mai zurfi, gangaren gangara, tsarin ARC, Halin sakin Electro, da wuyar gwiwa, wannan yana fara zama ɗan haɗari idan kun tura shi (ko da yake ba lallai ba ne a saman). Tare da wannan saitin da saiti na Multi Opto Mastering azaman littafai, akwai matakai da yawa a tsakanin don samar da matakai da halaye daban-daban. Yin aiki tare da duka biyu
Daga cikin waɗannan saitattun saitattun suna bayyana kewayon babban matakin matsawa saituna don ƙirƙira. (Za mu bar muku wannan!).

Adaftan Multi Electro Mastering
Daidai da na sama amma tare da -12dB hankali a cikin sarrafa Adafta. Wannan zai ba ku damar ganin yadda ɗabi'ar daidaitawa ke sassauta ƙima don ƙungiyar lokacin da akwai ƙarin ƙarfi a cikin ƙungiyar da ke ƙasa. Gwada jujjuya tsakanin Multi Electro da Adaptive Multi Electro don duba abin rufe fuska wanda ikon daidaitawa ya yi. Kuna iya ƙoƙarin ƙara haɓakawa ko rage ikon daidaitawa kuma idan kun ɗaga zuwa 0dB ko mafi girma don haɓaka haɓakar haɓakawa za ku iya so ku rage ƙofofin don manyan ƙungiyoyi 4 kuma ku ga yadda suka zama masu ƙarfi da ƙarfi.
Uncompressor
Tun da akwai ayyuka da yawa da aka yi a cikin hanyar damfara multiband da iyakancewa, da alama kawai za a ƙara saitaccen saiti wanda ya yi ƙoƙarin tafiya a wata hanya. Tabbas, akwai yuwuwar akwai babban ƙalubale wajen gyara siginar da aka danne fiye da kuskuren asali!
Fadada faɗaɗa zuwa sama mai yiwuwa hanya ce ta farko da ya kamata ka gwada (tare da Waves C1 ko Renaissance Compressor), sai dai idan za ku iya tantance haɗe-haɗe wanda ya riga ya sami nau'in ɓoyayyen ɓoyayyiyar matsi ko DeEssing (parametric). In ba haka ba, ƙoƙarin yin amfani da na'urar faɗaɗa zuwa sama mai yawa don gyara gaurayawan da ke da matsi sama da fadi bai dace ba, saboda sauye-sauyen ribar da aka yi amfani da su a farkon wuri zai kasance a duk faɗin rukunin. Koyaya, da sassauƙa kamar yadda Linear Phase Multiband Parametric ke cikin sauran wuraren da aka tattauna a cikin wannan jagorar, tabbas yana da ikon samar da matsi na UN mai ban mamaki a cikin fage na multiband. Ka tuna cewa lokutan harin shine abin da ke haifar da masu wucewa, kuma idan kun riga kun sami masu wucewa mai kyau a cikin haɗuwa amma sautin bayan masu wucewa shine abin da aka matsa, sanya lokacin Uncompressor Attack ya fi tsayi, don kauce wa yin girma. masu wucewa. Soloing kowane band da daidaita ta Attack da Sakin lokuta domin masu wucewa su zama na halitta, da matsawa da aka huta da kuma audio sauti mafi annashuwa da bude shi ne dabara.
Saitin bai yi ƙoƙarin saita lokacin hari da saki ba, saboda wannan ya dogara sosai akan kayan tushe, kawai muna saita duk makada 4 don lokacin kai hari waɗanda ke matsakaici don rukunin mitar, da daidai lokacin saki a cikin duk makada 4.

BassComp/De-Esser
Matsala ta gama gari tare da haɗaɗɗun ƙananan ɗakin studio shine ƙarancin ƙarshen, saboda masu sa ido na kusa, ƙarancin ƙarancin ɗaki mara kyau, giya, da abokan ciniki masu buƙata. Wata matsalar da ta zama ruwan dare ita ce rashin isassun maƙiyin da za su zagaya, haka kuma, dagewar da masu ganga ke yi suna kawo cikakken girman su, kuge mai nauyi a cikin ɗakin studio. Sakamakon sau da yawa haɗuwa tare da ƙananan ƙarshen da ke da ƙarfi sosai, da / ko ma'auni mara kyau tsakanin gitar bass da kullun kick, tare da babban ƙarshen da zai buƙaci dessing da "de-cymbaling". Mafi ƙalubalanci na waɗannan yanayi yana da katataka masu haske da kuge da muryoyin muryoyin murya. Tabbas, hanya mafi kyau don magance waɗannan al'amura ita ce kawar da haɗin gwiwa, amfani da kuge mai haske, kuma, da kyau, mafi kyawun injiniya a ƙananan ƙarshen! Wannan saiti yana amfani da makada 2 kawai (mafi yawan aikace-aikacen C1 da yawa), don matsawa/sarrafa bass, da de-essing. An saita band 1 zuwa 180Hz wanda ke rufe babban ɓangaren bugun bugun da kusan duk mahimman bayanan kula na bass guitar ko sauran layin bass. Band 2 shine madaidaicin magudanar ruwa wanda ke a tsakiya a 8kHz. Gudanar da kai hari da Saki sune mahimman sarrafawa. Tare da saurin kai hari akan Band 1, ana iya sarrafa harbi daban daga layin bass tare da madaidaicin madaidaicin. Soloing band ɗin zai taimaka wajen saita lokacin Sakin don a rage murdiya (sauri da sauri Sakin zai sa compressor ya bi bass wave da kansa, wani nau'i na jujjuyawar daidaitawa wanda har ma da multibands suna da saukin kamuwa da shi).Haka ne ga Band 4 ; Lokacin harin (a 12ms) yana ba da damar isassun tarko da baƙaƙen mawaƙi cewa babu sautin da yawa, amma abubuwan da ke dawwama, kamar esses da kuge, ana iya sarrafa su da kyau. Ana iya amfani da makada 2 da 4 azaman EQ, kamar yadda aka saita Range zuwa sifili.
BassComp/HiFreqLimit
Bambanci akan saitin da ya gabata, sai dai maimakon madaidaicin mazugi, duk babban mitar shine kwampreso/mai iyaka. Wani lokaci yana da amfani idan an yi amfani da "iska EQ" da yawa a cikin kayan tushe.
Yawaita Iyaka
Yanzu me ya kamata mu ce game da wannan saiti? Kuna iya kiransa da sauri idan kuna so, saboda yana wakiltar nau'in sarrafawar da wasu gidajen rediyo ke amfani da su don yin surutu kamar yadda ya kamata, kuma suna yin haka ne ga faifan da aka riga aka sarrafa su zama mai sauti kamar haka. mai yiwuwa! Mai girma don madaukai da remixes.
Saita da Auto-Makeup
If you haven’t tried auto makeup yet, go right ahead, grab a threshold for a band and listen to the compression rather then hear the drop in level. Try some more to see if this seems like a good way for you to work, rather then chasing overall level all the time, the auto makeup will not totally preserve overall level but it will focus you on the dynamics setting rather then the separate levels.

Waves LinMB jagorar software